ANALYSIS OF THE BOOK
PART ONE
SUMMARY
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The Narrator describes the
scene from the deck of a ship named Nellie as it rests at anchor at the mouth
of the River Thames, near London. The five men on board the ship—the Director
of Companies, the Lawyer, the Accountant, the
Narrator, and Marlow, old friends from their seafaring
days—settle down to await the changing of the tide. They stare down the mouth
of the river into the Atlantic Ocean, a view that stretches like "the
beginning of an interminable waterway
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In silence they watch the sunset, and the
Narrator remembers the fabled ships and men of English history who
set sail from the Thames on voyages of trade or conquest, carrying with them
"The dreams of men, the seed of commonwealths, the germs of
empire."
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Suddenly Marlow interrupts
the silence. "And this also," Marlow says, "has been one of
the dark places
of the earth." He imagines England as it must have appeared to the first
Romans sent to conquer it: a savage, mysterious place that both appalled and
attracted them, that made them feel powerless and filled them with hate.
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Marlow observes that none of the men on the boat would feel
just like those Romans, because the men on the boat have a "devotion to
efficiency," while the Romans wanted simply to conquer.
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Yet Marlow adds that
conquest is never pretty and usually involves the powerful taking land from
those who look different and are less powerful. Conquest, Marlow says, is
redeemed only by the ideas behind them, ideas that are so beautiful men bow
down before them.
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Marlow then reminds the other men that he once served as
captain of a freshwater riverboat, and begins to tell his story. As a young
boy, he had a passion for maps and unknown places. As he grew older many of
those places become known, and many he visited himself. Yet Africa still
fascinated him, especially its mighty river, the Congo. After years of ocean
voyages in which he had "always went by [his] own road and on [his] own
legs," Marlow asks his aunt to use her influence help
him get a job as a steamship operator for the Company, a continental European
trading concern in Africa.
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The Company hires him immediately: it has an
open position because one of its captains, a Dane named Fresleven,
had recently been killed. After some time in the jungle, the normally
mild-mannered Fresleven had started hitting the native chief of a village
with a cane over a disagreement regarding two black hens, and was
accidentally killed by the chief's son. The natives, in fear, immediately
abandoned their village.
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Marlow travels to the unnamed European city where the Company
has its headquarters. He describes the city as a "whited
sepulcher."
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At the Company's office, Marlow is
let into a reception area presided over by two women, one fat, one slim, both
of whom constantly knit black wool. There, Marlow examines a map of Africa
filled in by various colors representing the European countries that
colonized those areas. He briefly meets the head of the Company (a "pale
plumpness in a frock coat"), then is directed to a doctor.
While measuring Marlow's head, the doctor comments that in Africa "the
changes happen inside" and asks Marlow if his family has a history of
insanity.
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Marlow has a farewell chat with his aunt, who sees
her nephew as an "emissary of light" off to educate the African
natives out of their "horrid ways." Marlow points out to his aunt
that the company is run for profit, not missionary work, and expresses
amazement to his friends on the boat how out of touch women are with the truth.
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Marlow boards the steamer that will take him to the mouth of
the Congo with a sense of foreboding. To Marlow on the steamer, the forested
coast of Africa looks like an impenetrable enigma, inviting and scorning him
at the same time. He occasionally sees canoes paddled by native Africans, and
once sees a French ship firing its guns into the dense forest at invisible
"enemies."
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At the mouth of the Congo, Marlow gets
passage for thirty miles from a small steamer piloted by a Swede. The
Swede mocks the "government chaps" at the shore as men who will do
anything for money, and wonders what happens to such men when they get
further into the continent.
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At last they reach the Company's Outer
Station, a chaotic and disorganized place. Machinery rusts everywhere, black
laborers blast away at a cliff face for no reason. Marlow comments
to the men on the Nellie that he had long known the "lusty devils"
of violence and greed that drive men, but in Africa encountered "a flabby,
pretending, weak-eyed devil of a rapacious and pitiless folly."
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Marlow then stumbles upon what he calls the Grove of Death, a
grove among the trees that is filled with weak and dying native laborers, who
are living out their last moments in the shade of the ancient trees.
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At the station, the Chief Accountant
impresses Marlow with his good grooming. One day the Chief
Accountant mentions that further up the river Marlow will probably meet Mr. Kurtz,
a station head who sends in as much ivory as all the others put together and
who "will be somebody in the [Company] Administration before long."
He asks Marlow to tell Kurtz that all is satisfactory, saying he doesn't want
to send a letter for fear that rivals at the Central Station will intercept
it.
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Just then a dying native who has been put on
a bed in the accountant's office for lack of other space makes a noise. The Chief
Accountant comments, "When one has got to make correct entries,
one comes to hate these savages—hate them to death."
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A few days later Marlow joins
a caravan headed the two hundred miles upriver to Central Station. After a
fifteen-day trek through the jungle during which the only other white man
fell ill and many of the native porters deserted rather than carry the sick
man, Marlow reaches the Station.
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At the station, Marlow is
greeted by the first man he sees with news that the ship he was supposed to
pilot has sunk. Apparently, the General Manager had suddenly
decided to try to reach Kurtz at the Inner Station with an
inexperienced pilot at the helm of the steamship. The steamship promptly
sank.
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Marlow, on the Nellie, says that though he can't be sure, he
suspects that it's possible the General Manager wanted the
steamship to sink.
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Marlow is immediately taken to see this General Manager,
who is thoroughly unremarkable in intelligence, leadership, and unskilled at
even maintaining order. Marlow believes the General Manager holds his
position through two traits: he inspires vague uneasiness in others, and
unlike any other Europeans he's resistant to all the tropical diseases.
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The General Manager explains
why he took the steamship onto the river before Marlow, its
pilot, arrived: Kurtz, the Company's best agent, is sick. The
General Manager takes special interest when Marlow mentions he heard Kurtz's
name mentioned on the coast. The General Manager estimates
that it will take three months to repair the ship, and turns out to be almost
exactly right.
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Marlow sets to work fixing the ship and watches the absurd
happenings of Central Station, where the various company agents (employees)
do no work, stroll about aimlessly, and dream of ivory and wealth. Marlow
describes the place as "unreal."
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One night a shed bursts into flame. AS
Marlow approaches he sees a laborer being beaten for setting the
blaze and overhears the General Manager talking with another
man about Kurtz, saying they should try to "take advantage of this
unfortunate accident." The General Manager departs, and Marlow ends up
in a conversation with the other man, a young "agent" whose
responsibility it is to make bricks (which he never does) and whom the other
agents think is the General Manager's spy.
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Marlow follows the brick maker back to his
quarters, which are much nicer than any but the General Manager's.
As they talk, Marlow realizes the brick maker is trying to get information
from him because Marlow’s Aunt’s contacts in the Company are the same
people who sent Kurtz to Africa. The brick maker bitterly says that Marlow
and Kurtz are both "of the new gang—the gang of virtue" meant to
bring proper morals and European enlightenment to the colonial activities in
Africa.
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The brick maker, whom Marlow now
calls a "papier-mâché Mephistopheles," continues to speak about
Kurtz, and asks Marlow not to give Kurtz a wrong impression of him. Marlow
realizes that both the General Manager and the brick maker
see Kurtz as a threat to their dreams of advancement.
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Though he hates lies because they have a
"taint of death" and telling them is like "biting something rotten," Marlow pretends
to have as much influence in Europe as the brick maker thinks he
has in order to get the brick maker to speed up the arrival of the rivets
needed to fix the steamship. Marlow has an idea that the faster the steamship
is fixed the better it will be for Kurtz.
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Suddenly, Marlow breaks off
telling his story in order to try to explain to the men sitting on the ship
in the Thames how hard it is to get across his experiences, though he is
comforted by the fact that his fellows on the ship, men who see and know him,
can at least "see more than I could then." The Narrator observes
that it was now so dark
they couldn't see Marlow at all.
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Marlow resumes his story. When the Brick maker leaves,
Marlow boards his broken steamship, which he has come to love after putting
in so much hard work to rebuild it. Marlow says of work: "I don't like
work... but I like what is in the work—the chance to find yourself. Your own
reality." Marlow tells his foreman they'll soon have
rivets. The two of them do a little dance of joy.
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But weeks pass and the rivets don't come.
Instead, a group of "pilgrims" calling itself the Eldorado
Exploring Expedition arrives, led by the General Manager's uncle.
They are all greedy, cowardly, and without any sort of foresight or
understanding of work.
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Without rivets, Marlow can't
do any work either. He has lots of time to think, and begins to wonder about
Kurtz's morals, and about how Kurtz would act if he did become general
manager.
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PART TWO
SUMMARY
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Sometime later, as Marlow rests on his steamship, he
overhears the General Manager talking with his Uncle about
Kurtz. They are annoyed that Kurtz has so much influence in the Company and
sends back so much ivory. The General Manager also mentions a trader who
lives near Kurtz and is apparently stealing Company profits. The uncle
advises the General Manager to take advantage of the fact that there's no
authority around and just hang the trader.
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They next discuss the rumors that Kurtz is
sick. Kurtz was supposed to return to the Central Station along with his
latest batch of ivory, but apparently came halfway down the river and then turned
back. The General Manager angrily mentions Kurtz's
conviction that the stations should be focused as much on humanizing and
civilizing the savages as on trade. The General Manager's uncle replies
that the General Manager should trust the jungle, implying that tropical
disease will eventually kill Kurtz.
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A few days later the General
Manager's uncle and his Eldorado Expedition head into the jungle. Marlow later
heard that all their donkeys died, but never heard what happened to the
"less valuable animals"—the men.
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After three months of work, Marlow
finishes repairing the ship. He immediately sets off upriver with the General
Manager, a few pilgrims, and thirty cannibals as crew. Marlow
prefers the cannibals, who don't actually eat each other and of whom he says,
"They were men I could work with."
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The trip is long and difficult. Marlow
describes the jungle as a "thing monstrous and free" and the
natives as beings "who howled and leapt and made horrid faces." Yet
Marlow feels some connection to the "terrible frankness" of the
natives, knowing that he has some of that primitiveness in his own heart. He
is thankful that his work keeping the ship afloat occupies his attention most
of the time, and hides the "inner truth."
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Still, Marlow tells the
other men on the Nellie, he often has a sense of the "mysterious
stillness" watching him at his "monkey tricks, just as it watches
you fellows performing on your respective tight-ropes for—what is it? half a
crown a tumble?" One of the men on the Nellie warns Marlow to "try
to be civil." Marlow responds, "I beg your pardon. I forgot the
heartache that makes up the rest of the price." Then he continues with
his story.
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Fifty miles from Kurtz's headquarters at
Inner Station, the ship comes upon a hut with a stack of firewood outside.
They stop to collect the firewood, and discover a note that says "Wood
for you. Hurry up. Approach cautiously." It is signed illegibly, but
with a name too long to be "Kurtz." The General Manager concludes
the hut must belong to the trader he wants to hang. Inside the hut, Marlow discovers
a technical book on sailing that seems to have code written on it. He is
astonished, and calls the book "unmistakably real."
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Eight miles from the Inner Station, the
General Manager orders Marlow to anchor the ship in
the middle of the river for the night. Marlow wants to continue on to meet
Kurtz, but knows that stopping is the safer thing to do.
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The morning reveals a thick white blinding fog enveloping the ship. A roar of screaming
natives breaks the silence, then cuts off. Frightened pilgrims hold
their rifles at the ready, but can't see anything. The cannibals want to
catch and eat the men on the riverbank. Marlow realizes the
cannibals must be incredibly hungry, and marvels at their restraint in not turning
on the white men on the ship. The General Manager authorizes
Marlow to take all risks in going upstream, knowing full well that Marlow
will refuse to take any. After two hours, the fog lifts and the steamship
continue upstream.
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A little over a mile from Inner Station, a
tiny island in the middle of the river forces Marlow to choose
the western or eastern fork of the river. He chooses the western, which turns
out to be quite narrow. Just as Marlow spots snags ahead that could rip the
bottom out of the boat, arrows shoot toward the steamship from the jungle.
Marlow orders his helmsman, a tribesman from the coast, to steer
straight.
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The pilgrims open fire into
the bush, putting out smoke that blocks Marlow's vision.
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A shotgun blasts just behind Marlow:
the helmsman has dropped the wheel and started shooting out the
window. Marlow jumps to take the wheel and avoid the snag ahead. The helmsman
falls back from the window, a spear in his side. Blood fills the pilothouse,
soaking Marlow's shoes. Marlow pulls the ship's steam whistle, which
terrifies the attacking natives and drives them off. A pilgrim wearing
"pink pyjamas" comes with a message from the General
Manager and is aghast to see the dead helmsman.
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Marlow realizes Kurtz is probably dead and feels an intense
disappointment at the thought. Marlow then tells the pilgrim to steer and
flings his bloody shoes overboard.
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Suddenly, Marlow once again
cuts short his story in order to address the men who are on the Nellie in
the Thames. He tells them they couldn't hope to understand his despair at
thinking he would never get to meet Kurtz, since they live in civilization
with "a butcher round one corner, a policeman round another."
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After a long silence, Marlow says
that Kurtz wasn't dead, and launches into a series of thoughts about him.
Marlow says Kurtz saw everything, including his Intended (his
fiancé) as a personal possession. Marlow explains that Kurtz, in the solitude
of the jungle, transformed from a man of European enlightenment to a man who
presided over "unspeakable rites" and accepted sacrifices made in
his honor. Marlow recalls a magnificent, if impractical; treatise that Kurtz
wrote called On the Suppression of Savage Customs in which
Kurtz argues that white men, as veritable gods next to the natives, have the
responsibility to help them. Later, though, across this treatise calling for
idealism and altruism, Kurtz scrawled "Exterminate all the brutes."
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Marlow returns to the dead helmsman, saying that
Kurtz was a remarkable man, but wasn't worth the lives they lost in trying to
find him. Marlow mourns his helmsman deeply. The man had "done
something, he had steered."
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Everyone on board assumes the Inner Station
has been overrun and Kurtz killed. The pilgrims are happy,
though, that they probably killed so many savages with their rifles. Marlow,
however, is certain all the pilgrims shot too high, and killed no one.
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When they arrive at Inner Station, Marlow
and the other men on the ship are amazed to discover it in perfect shape.
They are met onshore by a white man wearing clothes covered in colorful
patches. Marlow thinks the man looks like a harlequin (a clown or jester).
The man knows that the steamship has been attacked, but says, "it's all
right" now. As the General Manager and pilgrims
go to get Kurtz, the harlequin comes on board and speaks with Marlow. The man
explains that he's a twenty-five year old Russian sailor who
deserted and through a series of adventures working for various colonial
powers ended up wandering through the Congo alone for two years.
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When the Russian says that
the hut with the stacked wood was his old house, Marlow returns
the book about sailing to him. The Russian in his joy tells Marlow that the
natives attacked the ship because they don't want Kurtz to leave. It's soon
clear to Marlow that the Russian also has fallen under the spell of Kurtz's
amazing eloquence. The Russian says about Kurtz: "This man has enlarged
my mind."
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PART THREE
SUMMARY
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Marlow stares at the Russian in astonishment,
and thinks that the Russian "surely wants nothing from the wilderness
but space to breathe in" and that "if the absolutely pure,
uncalculating, unpractical spirit of adventure had ever ruled a human being,
it ruled this ... youth."
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Meanwhile, the Russian begs Marlow to
take Kurtz away quickly. He tells of his first meeting with
Kurtz, in which Kurtz "talked of everything" and the Russian only
listened. Since then, he says he's nursed Kurtz through two illnesses, even
though Kurtz had once threatened to shoot him over some ivory.
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Kurtz, the Russian says, is a god to the local
tribesman, who adores him. They help him as he raids the jungle and other
tribes for ivory. This comes as troubling news to Marlow, who had
expected that Kurtz, with his morals, would trade for ivory, not take it by
force.
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The Russian says that Kurtz can't
be judged as other men are. He adds that Kurtz "suffered too much. He
hated all this and somehow couldn't get away." Marlow,
meanwhile, lifts binoculars to his eyes and looks at the building where he
thinks Kurtz is lying ill. He's startled to see that what he thought were
fence posts are actually spiked human heads. Marlow tells the men on
the Nellie that for all Kurtz's magnificent talent,
eloquence, and learning, he was hollow at the core, and the jungle filled
that hollowness.
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The Russian mentions that
when the native chiefs came to see Kurtz they crawled up to
him. This information disgusts Marlow, who comments that in
contrast "uncomplicated savagery was a positive relief, being something
that had the right to exist—obviously—in the sunshine."
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The Russian can't
understand Marlow's scorn at Kurtz's savage actions.
He says that the Company abandoned Kurtz, who had such wonderful ideas.
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The pilgrims come out of
the house bearing Kurtz on a stretcher. Marlow describes
Kurtz as looking like "an animated image of death carved out of
ivory." The natives swarm forward. The Russian whispers
to Marlow that if Kurtz says the word, they'll all be killed. Kurtz speaks
(Marlow can't hear him from so far away), and the natives melt back into the
jungle.
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Along the shore of the river near the ship
the natives gather. Among them, next to the ship a "savage and
superb" African woman paces
back and forth. The Russian's comments about her imply that she
was Kurtz’s mistress.
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Inside the cabin, an argument erupts
between Kurtz and the General Manager. Kurtz
accuses the General Manager of caring less about Kurtz himself than about the
ivory Kurtz has, and also says the General Manager with his "piddling
notions" is interfering with Kurtz's grand plans.
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The General Manager exits
from the cabin. He tells Marlow that Kurtz is
very ill and that Kurtz's "unsound methods" ruined the district for
the company. Marlow comments that Kurtz's methods couldn't be
"unsound" because he seemed to have had "no method at
all." Yet Marlow is more disgusted by the General Manager's fake show of
sadness at Kurtz's demise than with Kurtz's atrocities, and says that Kurtz
is still a remarkable man. This loses Marlow whatever favor he'd held in the
General Manager's eyes.
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When Marlow is alone,
the Russian approaches. He has decided to slip away, correctly
sensing that he's in danger from the General Manager and his
men, and seeing nothing more that he can do for Kurtz. But before
departing he tells Marlow that it was Kurtz who ordered the native attack on
the steamship in order to scare the General Manager away and thereby be
allowed to remain at his station. The Russian gets Marlow to give him some
supplies and disappears into the night.
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Marlow goes to sleep, but wakes suddenly just after midnight.
As he looks around he notices Kurtz has disappeared. On the
bank of the river, Marlow finds a trail through the grass and realizes Kurtz
must be crawling. He catches up to Kurtz just before he reaches the native
camp. Marlow realizes that though he's stronger than Kurtz, all Kurtz has to
do is call out and the natives will attack. Kurtz, realizing the same thing,
tells him to hide. Marlow says, "You will be lost, utterly lost." Kurtz
pauses, struggling with himself. Marlow watches him, and realizes that Kurtz
is perfectly sane in his mind, but his soul is mad. Kurtz's soul, Marlow
says, "knew no restraint, no faith, and no fear." Yet in the end
Kurtz allows Marlow to support him back to the ship.
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The next day the ship departs. Kurtz,
in the pilothouse with Marlow, watches the natives and his mistress come
to the shore. Marlow spots the pilgrims getting their rifles
and pulls the steam whistle. All the natives but the women disperse. The
pilgrims open fire, blocking Marlow's vision with the smoke.
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As they travel swiftly downstream, the
General Manager is pleased. After all, soon Kurtz will
be dead and the General Manager will be secure in his position without having
to do a thing. Marlow is often left alone with Kurtz, who
speaks in his magnificent voice and with his magnificent eloquence about his
moral ideas, his hopes for fame in Europe, and his desire to "wring the
heart" of the jungle.
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The steamship soon breaks down, which
doesn't surprise Marlow. But Kurtz becomes concerned
he won't live to see Europe. He gives Marlow his papers, fearful that
the General Manager might try to pry into them, and one day
tells Marlow that he is "waiting for death." Marlow is pierced by
the expression on Kurtz's face "of somber pride, of ruthless power, of
craven terror—of an intense and hopeless despair." Suddenly Kurtz cries
out in a voice not much more than a breath: "The horror! The
horror!" A short while later, the General Manager's servant appears
and informs everyone: "Mistah Kurtz—he dead."
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Soon after, Marlow himself
falls ill. He calls his struggle with death "the most unexciting contest
you can imagine," and is embarrassed to discover that on his deathbed he
could think of nothing to say. That's why he admires Kurtz. The
man had something to say: "The horror!" Marlow's describes Kurtz's
statement as a moral victory paid for by "abominable terrors" and
"abominable satisfactions."
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Marlow returns to the "sepulchral city" in Europe, where his aunt nurses him
back to health but can't soothe his mind. The people of the city seem to him
petty and silly.
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A representative of the Company comes to
get Kurtz's papers from Marlow, who offers him
only On the Suppression of Savage Customs (with the scrawled
"exterminate all the brutes torn off" torn off). The representative
wanting more, wanting something more profitable, storms off.
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Kurtz's cousin soon shows up. The cousin, a musician, tells Marlow that
Kurtz was himself a great musician, then leaves with some family letters
Marlow gives him.
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Soon after, a journalist stops by. He says
Kurtz wasn't a great writer, but was a great speaker. He could have
been a great radical political leader—he could electrify a crowd. Marlow asks
what party Kurtz would have belonged to. The journalist says any party: Kurtz
could convince himself of anything. He takes On the Suppression of
Savage Customs for publication.
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At last, Marlow works up the nerve to go to
see Kurtz's Intended and give her the last of his letters.
When she lets Marlow into her house he notices that though it's a year after
Kurtz’s death, she is still dressed in mourning black. She praises
Kurtz as the best of all men.
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Marlow, full of pity, does not dispute her claims.
Finally, the Intended asks to hear Kurtz’s last
words. This is the question Marlow's been dreading. He pauses, then tells her
that Kurtz's last words were her name. She cries out that she knew it and
begins to weep. Marlow feels only despair, knowing he failed to give Kurtz the
justice he deserved. But he just couldn't get himself to tell the Intended
the truth—it would have been too dark.
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Marlow, on the Nellie still at anchor in
the Thames, goes quiet. The Narrator looks off into the
distance, and says that the Thames seems to lead to the "uttermost ends
of the earth," seems to lead "into the heart of an immense
darkness.”
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Plot
Heart of Darkness tells the story of Marlow, a sailor, who describes to his
shipmates the unusual experience he had traveling upriver in the Congo and the
effect it had upon him. Hired by a Continental trading company as a steamboat
captain between the outer stations and the interior, Marlow's primary mission
was to visit and, if necessary, retrieve the mysterious Kurtz, an
extraordinarily successful agent who had lost contact and reportedly fallen
ill. Marlow tells the men that the entire journey was a sort of dream--lacking
any real-world logic, deeply affecting, and difficult to describe in its
details. The trip took several months, occurring in stages--a trip along the
coast, an overland trek to the Central Station, and finally the riverboat
journey to Kurtz's outpost.
During the entire expedition Marlow was struck by the mistreatment
of natives by the Company and its agents, the preponderance of disease, the
intimidating presence of the jungle, and the absurdness of the colonial
operation carrying on for a relatively small amount of ivory. He began hearing
of Kurtz as soon as he arrived, and everything he heard--of Kurtz's eloquence,
of his high moral principles, of his effectiveness, of his influence in the
Company--aroused Marlow's interest. The idea of Kurtz began to obsess Marlow.
When they arrived at his station, they found he had set himself up as a sort of
god to the natives he had once wanted to civilize; he had become more savage
than even the natives, taking part in bizarre rites and using violence against
the locals to inspire fear and obtain more ivory.
Against his wishes, Kurtz was taken back by Marlow and the other
whites; his illness overcame him on the return trip, and he died. His last
words--"The horror! The horror!"--were his realization of the depths
to which he had sunk from his noble goals. He entrusted Marlow before his death
with his papers, including an article he had written on bringing enlightenment
and progress to the natives of the Congo. As evidence of Kurtz's decay,
however, was the postscript he'd scribbled at the end of this article:
"Exterminate all the brutes!". Marlow was shaken by his encounter
with Kurtz, who had, because of his isolation, been exposed to the darkness
within himself and had gone mad as a result. When back in Europe, Marlow
contacted Kurtz's fiancé but could not reveal to her the terrifying last words.
Ultimately, Marlow tells the story of how when the thin shell of
civilization has fallen away, the corruption and evil within can surface.
Seeing the darkness lingering immediately under the surface of a man who
thought himself moral forever affected Marlow as a deep nightmare would. As
Marlow finishes his story, trailing off as he reaches the lie about Kurtz's
last words, the sky has grown dark.
Major Characters
Marlow: The story of Kurtz is told by Marlow, who speaks for the majority
of the novel. He is a longtime seaman, a rootless wanderer and frequent
storyteller. The stories he tells, though, tend to be more idea than episode.
He was the captain of a small steamer that traveled up the Congo River to
retrieve the mysterious Kurtz from the interior. His encounter with Kurtz
shakes him for the rest of his life.
The Narrator: The unnamed narrator frames Marlow's story, but
does not comment on it; he describes the boat and its environment.
Kurtz: A trade agent sent to Africa by the Company, he started out with
the noble goal of bringing civilization and progress to the natives. Eloquent
and charismatic, he had great favor in the Company and his virtue was praised,
to the dismay of his jealous colleagues. No sooner had he arrived than the
isolation torn away his civilized exterior and made his inner savageness
emerge. He began to act as a god to the area natives. He decayed mentally and
physically and ultimately died aware of the horror of his life.
The pilgrims: A group of sixteen to twenty men who Marlow
brought on his trip into the interior. He barely talked with any of them; they
fired rifles into crowds of natives onshore and were very suspicious of Kurtz.
When Kurtz died, they buried him in the mud by the riverside.
The cannibals: The natives who acted as the crew on Marlow's
ship to the interior. He became much closer to them than he did to the other
white men. They received a meager pay of brass wire, which they were supposed
to (but unable to) trade for food; as a result they were always hungry. They
were generally distrusted or disregarded by the pilgrims.
The fiancé: Kurtz's fiancé back in Europe, who Marlow
visited after his return from Africa. He told her the story of Kurtz's death
but lied to her about Kurtz's last words. She was utterly devoted to Kurtz and
believed strongly in his noble motives.
The young man: A Russian wanderer who ended up at Kurtz's
station. Worshipful and fearful of Kurtz, he was most concerned with attempting
to win Marlow over to Kurtz's side. He ran off before Kurtz was taken from the
station, leaving Marlow with Kurtz's papers and an admonition to protect his
memory.
Minor Characters
The Director of Companies, the Lawyer, and the
Accountant: The three men who
listen, along with the narrator, to Marlow's story. They are solid professional
men who occasionally show skepticism about the story.
Marlow's aunt: She was able to get Marlow a job with the
Company. She had the idea that the Company would ennoble and enlighten the
savage African people.
Fresleven: The past captain along the Congo River, who
Marlow was hired to replace. Normally a placid man, he killed a native chief
over a chicken, and was killed, in retaliation, by the tribe.
The Secretary of the Company: Marlow interviewed with this distinguished old
man at the Company offices.
Knitting Women: These women sat outside the offices of the
Secretary for no apparent reason, knitting black wool. They made Marlow uneasy
as they looked at him.
The Doctor: He gave Marlow a cursory examination, then
measured his cranium out of curiosity. He was interested in the mental effects
of the wilderness on Europeans.
The Swede: The Swede told Marlow the story of another Swede
who traveled to the interior. Once stationed there, this man hung himself for
no discernible reason. The story made Marlow uneasy.
Native laborers: At the outermost station, dozens of native
laborers, captive prisoners supposedly enslaved for crimes, were building a
railroad trestle. Many of them were sick or dying.
Chief Accountant: A well-dressed man who first told Marlow about
Kurtz. He had come to hate the natives for how their noise distracted him.
Fat man: This greedy white man went with Marlow to the Central Station in order
to make money. He was always complaining about the country and came down with a
fever.
General Manager: A higher official with the Company, he went with
Marlow into the interior in order to retrieve Kurtz. He was jealous of Kurtz's
popularity with the Company in Europe and feared being usurped. He was
incompetent and not very bright, but ambitious enough to stay in Africa.
Brickmaker: An ally of the Manager, this man befriended
Marlow in order to gain information about Company politics. Like the manager,
he worried about Kurtz's influence. He never made any bricks.
Treasure hunters: A caravan of greedy men who stopped at the
Central Station on their way to the interior. Their goal was to raid natives
for gold, ivory or other treasure. Marlow found them distasteful and cruel.
They disappear, presumably dead, into the jungle.
Caravan leader: Uncle of the Manager, this man was the most
unpleasant of the treasure-hunters. He worried about Kurtz's civilizing motives
as a possible stumbling block to commercial considerations.
Boiler operator: A cannibal decked out with tribal decorations.
Marlow noted that it was unfortunate that such an impressive native was forced
to operate the boiler of a white man's ship.
Helmsman: A cannibal killed when Kurtz's tribes attacked
the ship.
Native woman: A tall and beautiful woman who appeared
strangely and menacingly when the white men took Kurtz aboard the ship. She
also stared after them as they departed with Kurtz, unafraid of the noise of
the ship's horn.
Objects/Places
The Company: The vast European trading company which sent
Marlow to Africa.
Maps: As a child, Marlow was interested in the blank unexplored spots on
maps, which inspired his interest in Africa. He saw such maps, with the blank
spots filled, in the Company offices.
White city: This city, most likely Brussels, Belgium, struck
Marlow as being sepulchral--like a coffin, cold and dead. He felt uneasy upon
first arriving; when he returned he barely saw the people of the city as human.
It is always a lonely, disturbing place for him.
French ship: This ship was firing for no apparent reason into
a stretch of jungle; its crew claimed that there were 'enemies' they were
firing at. The men on the ship, stricken with disease, were dying at a
startling rate.
Company Station: The first stop for the ship taking Marlow to
Africa. Here the journey to the interior would begin; here dozens of enslaved
natives were beginning to build a railroad.
Ivory: The commercial good around which the entire Company revolved; the
entire massive operation was carried out for only a small amount of ivory.
Kurtz was bafflingly good at sending back huge quantities of ivory.
Central Station: The midpoint of Marlow's trip; here his ship,
the pilgrims, and the Manager awaited his arrival. The atmosphere here was one
of complicated Company politics.
Interior Station: The innermost point of the Company's penetration
into Africa. From here Kurtz had established a dominion of power over the local
tribes.
Ship: The steamer that Marlow was supposed to pilot had sunk in the
river before he even arrived, and he had to spend months repairing it. It took
Marlow and the pilgrims upriver to get Kurtz; it returned in rapidly declining
repair.
Hut: A curious outpost of civilization halfway up the river, this hut
was at one time occupied by the young Russian, who had left there a book and
firewood for the next person to come along.
Article: A report on 'The Suppression of Savage Customs,' which Kurtz
undertook to write with a mind towards progress and civilization. After writing
the seventeen-page pamphlet, Kurtz angrily wrote 'Exterminate all the brutes!'
at the end. Marlow eventually gave this pamphlet to a friend of Kurtz's, with
the violent words removed.
Heads on stakes: The evidence that Kurtz, instead of being the
noble missionary he intended, had become brutal. The heads were evidence of
'unsound methods'--violence--by which he was able to control the natives and
reap rich rewards of ivory.
THEMES
Colonialism
Marlow's story in Heart of Darkness takes place in
the Belgian Congo, the most notorious European colony in Africa for its greed
and brutalization of the native people. In its depiction of the monstrous
wastefulness and casual cruelty of the colonial agents toward the African
natives, Heart of Darkness reveals the utter hypocrisy of the
entire colonial effort. In Europe, colonization of Africa was justified on the
grounds that not only would it bring wealth to Europe, it would also civilize
and educate the "savage" African natives. Heart of Darkness shows
that in practice the European colonizers used the high ideals of colonization
as a cover to allow them to viciously rip whatever wealth they could from
Africa.
Unlike most novels
that focus on the evils of colonialism, Heart of Darkness pays more
attention to the damage that colonization does to the souls of white colonizers
than it does to the physical death and devastation unleashed on the black
natives. Though this focus on the white colonizers makes the novella somewhat
unbalanced, it does allow Heart of Darkness to extend its
criticism of colonialism all the way back to its corrupt source, the
"civilization" of Europe.
The Hollowness of Civilization
Heart of Darkness portrays
a European civilization that is hopelessly and blindly corrupt. The novella depicts
European society as hollow at the core:Marlow describes
the white men he meets in Africa, from the General Manager to Kurtz,
as empty, and refers to the unnamed European city as the "sepulchral
city" (a sepulcher is a hollow tomb). Throughout the novella, Marlow
argues that what Europeans call "civilization" is superficial, a mask
created by fear of the law and public shame that hides a dark heart,
just as a beautiful white sepulcher hides the decaying dead inside.
Marlow, and Heart
of Darkness, argue that in the African jungle—"utter solitude without
a policeman"—the civilized man is plunged into a world without superficial
restrictions, and the mad desire for power comes to dominate him. Inner
strength could allow a man to push off the temptation to dominate, but
civilization actually saps this inner strength by making men think it's
unnecessary. The civilized man believes he's civilized through and through. So
when a man like Kurtz suddenly finds himself in the solitude of the jungle and
hears the whisperings of his dark impulses, he is unable to combat them and
becomes a monster.
The Lack of Truth
Heart of Darkness plays with the genre of quest literature. In a quest, a
hero passes through a series of difficult tests to find an object or person of importance
and in the process comes to a realization about the true nature of the world or
human soul. Marlow seems to be on just such a quest, making
his way past absurd and horrendous "stations" on his way up the Congo
to find Kurtz, the shining beacon of European civilization and morality
in the midst of the dark jungle
and the "flabby rapacious folly" of the other Belgian Company agents.
But Marlow's quest is
a failure: Kurtz turns out to be the biggest monster of all. And with that
failure Marlow learns that at the heart of everything there lies only darkness. In other words, you can't know other people, and you
can't even really know yourself. There is no fundamental truth.
Work
In a world where truth
is unknowable and men's hearts are filled with either greed or a
primitive darkness that
threatens to overwhelm them, Marlow seems to find comfort only in
work. Marlow notes that he escaped the jungle's influence not because he had
principles or high ideals, but because he had a job to do that kept him busy.
Work is perhaps the
only thing in Heart of Darkness that Marlow views in an
entirely positive light. In fact, more than once Marlow will refer to work or
items that are associated with work (like rivets) as "real," while
the rest of the jungle and the men in it are "unreal." Work is like a
religion to him, a source of support to which he can cling in order to keep his
humanity. This explains why he is so horrified when he sees laziness, poor
work, or machines left out to rust. When other men cease to do honest work,
Marlow knows they have sunk either into the heart of darkness or the hollow greed of civilization.
Racism
Students and critics
alike often argue about whether Heart of Darkness is a racist
book. Some argue that the book depicts Europeans as superior to Africans, while
others believe the novel attacks colonialism and therefore is not racist. There
is the evidence in the book that supports both sides of the argument, which is
another way of saying that the book's actual stance on the relationship between
blacks and whites is not itself black and white.
Heart of Darkness attacks colonialism as a deeply flawed enterprise run by
corrupt and hollow white men who perpetrate mass destruction on the native
population of Africa, and the novel seems to equate darkness with
truth and whiteness with hollow
trickery and lies. So Heart of Darkness argues that the
Africans are less corrupt and in that sense superior to white people, but it's
argument for the superiority of Africans is based on a foundation of racism.
Marlow, and Heart of Darkness, take the rather patronizing view
that the black natives are primitive and therefore innocent while the white
colonizers are sophisticated and therefore corrupt. This take on colonization
is certainly not "politically correct," and can be legitimately
called racist because it treats the natives like objects rather than as
thinking people.
Uuuu very fantastic
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